Cezary Bodzianowski
Charging
FSP ING 0253
Lodz is famous for its protracted urban renovations, which force passersby to constantly dodge or jump over unexpected obstacles. Bodzianowski interacts with these obstacles. For the artist, a wire protruding from the sidewalk on the renovated Próchnika Street is a charging station to which, like an electric vehicle, he "plugs in" with various parts of his body, parodying the utopian vision of urbanization and technological progress.
Selected for our collection, Bodzianowski's video-recorded "events" tell the story of the artist's relationship with the city in which he lives. The backgrounds of the scenes are unremarkable places and anonymous, often dilapidated elements of infrastructure. For the artist, however, they become successive fragments of his personal, scattered portrait of Lodz.
Cezary Bodzianowski
b. 1966, Szczecin
Artist, performer, author of ephemeral art activities. He also creates Dadaist sculpture-objects. He studied at the Academy of Fine Arts in Warsaw and the Royal Academy of Fine Arts in Antwerp. Bodzianowski's actions take the form of delicate, almost imperceptible interventions into reality. The artist is their main character, who disrupts the daily routine with his ephemeral actions. The witnesses of Bodzianowski's absurd and poetic actions, which usually take place on city streets, in parks or at home, are usually ordinary passers-by. We can later watch these ephemeral actions recorded on video tape or photographed by the artist's wife Monika Chojnicka, who is often also their only eyewitness. The artist, lives and works in Lodz, a city that has become a peculiar setting for his actions.
b. 1966, Szczecin
Artist, performer, author of ephemeral art activities. He also creates Dadaist sculpture-objects. He studied at the Academy of Fine Arts in Warsaw and the Royal Academy of Fine Arts in Antwerp. Bodzianowski's actions take the form of delicate, almost imperceptible interventions into reality. The artist is their main character, who disrupts the daily routine with his ephemeral actions. The witnesses of Bodzianowski's absurd and poetic actions, which usually take place on city streets, in parks or at home, are usually ordinary passers-by. We can later watch these ephemeral actions recorded on video tape or photographed by the artist's wife Monika Chojnicka, who is often also their only eyewitness. The artist, lives and works in Lodz, a city that has become a peculiar setting for his actions.