Collection

Mikołaj Sobczak plays with the convention of classical historical painting, whose role we have come to think of stereotypically. He restores to this form the potential which seemed long ago to have lost any relevance for contemporary art. Sobczak employs an image from Artur Grottger’s 1863 painting The Beating of Scythes, and the motif of blacksmithing, to propose a narrative perversely suiting the current historical policy. He does this by presenting on canvas figures important for recent Polish history but marginalised due to their gender. Forging iron in the foreground are activists—drag queen Charlotte and Magdalena Farat—whose work is observed by their older colleagues from the Solidarity movement: Alina Pieńkowska, Ewa Ossowska, Henryka Krzywonos, Anna Walentynowicz, Joanna Duda-Gwiazda, and Magdalena Wyszkowska with a child. Here the forging of iron symbolises the never-ending battle for rights, visibility and acceptance, in public space and historical narratives.

Painter, filmmaker, performer. Mikołaj Sobczak (b. 1989) graduated the Academy of Fine Arts Warsaw in the Studio of Spatial Activities, followed by a scholarship at Universität der Künste Berlin, and studied as well at Kunstakademie Münster. He is also a resident artist at Rijksakademie van beeldende kunsten in Amsterdam. In his work, he addresses themes of constructing a politics of memory, the fates of marginalized groups, and the erasure of minority groups' histories from official narratives. During the Warsaw Gallery Weekend in 2019, he received the ING Polish Art Foundation Award. In 2021, he was honored with the "Polityka" Passport (jointly with Jana Shostak) and the Deutsche Bank Viewer's Award. He lives and works in Düsseldorf and Warsaw.