Collection

Edward Dwurnik

Red Tulips

1999, oil, acrylic, canvas, 146 × 150 cm

Edward Dwurnik was one of the most prolific Polish painters, his oeuvre including more than 8,000 paintings and innumerably more drawings. He would occasionally paint for pleasure, which is how the series of tulip pieces saw daylight: multiplied flowers in assorted formats and colour variations—yellow, orange, red, pink. The artist himself described some of them as morphing into intimate female body parts as he worked. Dwurnik kept a distance between himself and the issues raised: pondering on serious matters is not always the point.

Edward Dwurnik

b. 1943, Radzymin – d. 2018, Warsaw

Painter and draughtsman. A painting and graphic arts graduate of the Academy of Fine Arts in Warsaw, he was one of the most vibrant characters on the Polish art scene, with a presence in popular and mainstream culture. To Dwurnik, Nikifor Krynicki was the most important artist and inspiration in the choice of themes, working methods, and style. Dwurnik’s oeuvre, ironic and grotesque, chiefly includes expansive painting cycles, rendered with a fine paintbrush in semblance of Nikifor, with recurrent social, political, and social drama motifs, produced in multiple copies, often simultaneously. His bird’s-eye-view cityscapes created over a number of decades from the mid-1960s are the cycle he is best known for. He painted his first set of abstract paintings, which he called “pollocks”, in the early 2000s. He participated in Documenta 7 in Kassel in 1982. Winner of numerous awards, including the Cyprian Kamil Norwid Award (1981) and the Coutts Contemporary Art Foundation Award (1992). He lived and worked in Warsaw.

b. 1943, Radzymin – d. 2018, Warsaw

Painter and draughtsman. A painting and graphic arts graduate of the Academy of Fine Arts in Warsaw, he was one of the most vibrant characters on the Polish art scene, with a presence in popular and mainstream culture. To Dwurnik, Nikifor Krynicki was the most important artist and inspiration in the choice of themes, working methods, and style. Dwurnik’s oeuvre, ironic and grotesque, chiefly includes expansive painting cycles, rendered with a fine paintbrush in semblance of Nikifor, with recurrent social, political, and social drama motifs, produced in multiple copies, often simultaneously. His bird’s-eye-view cityscapes created over a number of decades from the mid-1960s are the cycle he is best known for. He painted his first set of abstract paintings, which he called “pollocks”, in the early 2000s. He participated in Documenta 7 in Kassel in 1982. Winner of numerous awards, including the Cyprian Kamil Norwid Award (1981) and the Coutts Contemporary Art Foundation Award (1992). He lived and worked in Warsaw.

I agree to the processing of data in accordance with the Privacy Policy. If you do not agree, please disable cookies in your browser. More →

Changes to the Privacy Policy


In accordance with the legal requirements imposed by the Regulation of the European Parliament and of the Council (EU) 2016/679 of 27 April 2016 on the protection of individuals with regard to the processing of personal data and on the free movement of such data and repealing of the Directive 95/46/WE, a new Privacy Policy applies on this Website, which contains all information regarding the collection, processing, and protection of personal data of users of this Website.

Furthermore, we remind you that for the correct operation of the website we use information stored in cookie files. You can change the cookies settings in the settings of your browser. If you do not agree to the use of cookies on this Website, please change the settings in your browser or leave the Website.

Privacy Policy